diff --git a/.claude/settings.local.json b/.claude/settings.local.json index 6999120..e59462b 100644 --- a/.claude/settings.local.json +++ b/.claude/settings.local.json @@ -42,7 +42,19 @@ "Bash(npx:*)", "Bash(git pull:*)", "Bash(ls -la /c/Dev/Web/mingle-website/*.html)", - "Bash(ls -la /c/Dev/Web/mingle-website/js/*.js)" + "Bash(ls -la /c/Dev/Web/mingle-website/js/*.js)", + "WebFetch(domain:discordlookup.com)", + "WebFetch(domain:superalloyinteractive.com)", + "WebFetch(domain:pro.bohemia.net)", + "WebFetch(domain:www.centroid3d.com)", + "WebFetch(domain:www.empemotion.com)", + "WebFetch(domain:www.mocapcentral.com)", + "Bash(git checkout -- sitemap.xml services.html en/services.html)", + "Bash(python3 -c \"from PIL import Image; print\\(''Pillow available''\\)\")", + "Bash(for f:*)", + "Bash(do sed:*)", + "Bash(done)", + "Bash(git stash:*)" ], "deny": [], "ask": [] diff --git a/.claude/skills/canvas-design/kinetic-capture-philosophy.md b/.claude/skills/canvas-design/kinetic-capture-philosophy.md new file mode 100644 index 0000000..4bcfdb7 --- /dev/null +++ b/.claude/skills/canvas-design/kinetic-capture-philosophy.md @@ -0,0 +1,13 @@ +# Kinetic Capture + +## Design Philosophy + +Movement frozen in geometric precision. This philosophy draws from the invisible architecture of motion—the skeletal data points, trajectory arcs, and coordinate grids that define captured movement in three-dimensional space. Every composition emerges from the tension between human fluidity and computational exactitude, expressed through meticulously crafted intersections of deep space and luminous accent. + +The palette breathes through darkness. A vast, atmospheric black serves as the infinite capture volume—the void in which motion materializes. Against this depth, a singular incandescent orange burns with the intensity of infrared markers, tracking points rendered visible. This chromatic restraint is deliberate and painstaking: the fewer the colors, the more each element must earn its presence through master-level placement. Subtle gradients suggest dimensional depth—never flat, always implying the Z-axis of a three-dimensional workspace. + +Typography exists as calibration data. Thin, precise letterforms float in space like HUD overlays—readouts from a system monitoring something extraordinary. Headlines carry weight through scale and negative space rather than decorative treatment, each character positioned with the care of countless hours of refinement. Secondary information appears as small, clinical annotations—the metadata of the creative process. Korean characters bring their own architectural beauty, their stroke geometry echoing the systematic precision of motion capture coordinate systems. Every typographic decision reflects the product of deep expertise and painstaking attention to hierarchy. + +Geometric elements serve as the connective tissue between information nodes. Fine lines suggest skeletal rigging, dotted paths trace motion trajectories, circles mark joint positions in space. These elements never decorate—they diagram. They create visual systems that organize information through spatial relationship rather than explicit explanation. The composition achieves its meaning through the careful orchestration of these systematic elements, each one placed as though it were part of a scientific visualization of something beautiful and ephemeral. + +Space is the primary material. Generous margins and deliberate voids create the sensation of looking into a capture volume—a controlled environment where every element is precisely tracked. Information clusters in purposeful nodes with breathing room between them, allowing the eye to travel along invisible motion paths. This spatial generosity is itself the mark of expert craftsmanship—the confidence to let emptiness speak, the restraint that separates masterwork from clutter. The final composition should feel like an artifact from a world where technology and artistry are indistinguishable. diff --git a/contact.html b/contact.html index 3cbd9d3..b5284b7 100644 --- a/contact.html +++ b/contact.html @@ -433,7 +433,6 @@

예약 및 문의

간편한 온라인 예약 또는 자주 묻는 질문을 확인해보세요

- 네이버 예약 예약 현황 FAQ 보기
diff --git a/en/contact.html b/en/contact.html index ffa99ba..9b6fe27 100644 --- a/en/contact.html +++ b/en/contact.html @@ -438,7 +438,6 @@

Reservations & Inquiries

Make an easy online reservation or check our frequently asked questions

- Book via Naver Availability View FAQ
diff --git a/en/index.html b/en/index.html index 91b719a..992692e 100644 --- a/en/index.html +++ b/en/index.html @@ -974,7 +974,6 @@
Book Now Check Availability - Naver Booking
diff --git a/en/qna.html b/en/qna.html index f2add22..7ad5cd7 100644 --- a/en/qna.html +++ b/en/qna.html @@ -205,7 +205,6 @@
diff --git a/en/schedule.html b/en/schedule.html index 1628b53..abdd4ab 100644 --- a/en/schedule.html +++ b/en/schedule.html @@ -133,7 +133,6 @@

Reservations can be made via email or the contact page.
We recommend booking at least 2 weeks in advance.

diff --git a/en/services.html b/en/services.html index 13fe5db..32f7610 100644 --- a/en/services.html +++ b/en/services.html @@ -811,14 +811,10 @@ as a follow-up service (separate consultation)

- - Book via Naver - Check Availability
-

※ You can check real-time availability and book via Naver Place